Cheever The Swimmer

Post-Modernism in John Cheever’s “The Swimmer” One of the elements of post-modernism is the temporal distortion within the story. Neddy Merrill, the main character, decides to swim home one summer afternoon after enjoying a cocktail party.

  • Cheever can sometimes provide a sad, depressing reading experience, at least in his short stories. Some of his short stories involve the death of children and horrible conduct by parents in front of children. This story, The Swimmer, is almost like a science fiction fable type story, perhaps a Twilight Zone type story.
  • John Cheever wrote a few novels, but was best known for his short stories that he wrote. Of these short stories “The Swimmer” was one of them. This short story was one of his best ones and most widely known. This short story followed along most of his other structure of characters- wealthy, white, and preppy.
  • A short summary of John Cheever's The Swimmer This free synopsis covers all the crucial plot points of The Swimmer. Search all of SparkNotes Search. Use up and down arrows to review and enter to select. Much Ado About Nothing The Catcher in the Rye The Kite Runner.
  • “The Swimmer” — John Cheever (1964) It was one of those midsummer Sundays when everyone sits around saying, “I. Too much last night.” You might have heard it whispered by the parishioners leaving church, heard it from the lips of the priest himself, struggling with his cassock in the.

As an alcoholic with five years of sobriety, I identify with the protagonist, Neddy Merrill, in John Cheever’s short story, The Swimmer. The story is about an upper-class suburbanite named Neddy Merrill, who, along with his wife, Lucinda, is hanging out with their friends, Donald and Helen Westerhazy, by the Westerhazy’s swimming pool. Merrill is off by himself, drinking gin, while his wife and friends complain about their hangovers from drinking too much wine the night before.

Merrill decides to go home by stopping at every one of his neighbors’ houses and swimming across their swimming pools. Each time he gets to a new place, he asks the homeowner for a drink. And then he jumps into their collection.

Finally, Merrill ends up at a residence, which is several houses away from his home. There, he sees his old mistress, who lives there. He thinks that she would be happy to see him, but she is confused and irritated at his presence. He tells her that he is swimming across the county to get home, and she says, “Will you ever grow up?”

He begs her for a drink, she refuses, and he jumps into her pool, swims across, and leaves the house. Then, he heads over to the next place, jumps into the pool, swims across, makes it to the next home, but when he jumps into that pool, the water is frozen.

Finally, this poor creature ends up in front of his house. He is completely exhausted, but he is in for a rude awakening.

He tried the garage doors to see what cars were in, but the doors were locked, and rust came off the handles onto his hands.

Cheever the swimmer summary

Merrill, who has been in some altered reality due to his drinking, finally snaps out of it. Microstation mac os.

He shouted, pounded on the door, tried to force it with his shoulder, and then, looking in at the windows, saw that place was empty.

He realizes that he has lost everything, including his riches and his family.

This allegorical short story is about alcoholism. The water in the swimming pool and Merrill “swimming” across different banks to get home symbolize the story of a raging alcoholic who drinks and drinks while the years pass him by.

By the end of the story, Merrill has dementia, a symptom of an alcoholic wet brain (Wernicke-Korsakoff syndrome). This disease affects alcoholics in the later stages of drinking, and unless they get help, death is around the corner.

Incidentally, the author was an alcoholic who suffered from a major depressive disorder. Cheever became sober at the age of 65 in 1975 and stayed sober until his cancer death in 1982.

Another theme prevalent in The Swimmer is isolation.

At the beginning of the story, Merrill sits by himself, nursing a glass of gin. He is lonely and unhappy. By the end of the story, he is more isolated.

Many addicts turn to alcohol and drugs because they are desolate. Even if family or loved ones surround them, they still feel alone because their minds experience a distorted reality perception. Their cognitive functioning is clouded because alcohol and drugs affect the performance of their brains.

Sometimes friends and family abandon them, or they will become reclusive. By that point, the only thing that probably matters to them is their drug of choice. The liaison between alcohol and the alcoholic is as toxic as the relationship between a batterer and an abused partner. It’s also symbiotic because there are no boundaries.

In The Swimmer, Merrill loses all his riches by making horrible financial choices due to his alcoholism. And to top it off, he sees a former mistress who wants nothing to do with him. By the time he realizes that his life has gone to hell, his wife and daughters have left him.

Merrill is obsessed with his “swimming.” While he might delude himself into believing that he has some control over his life, the truth is that he has lost all control.

As the Big Book states, “We know that no real alcoholic ever recovers control. All of us felt at times that we were regaining control. However, such intervals—usually brief—were inevitably followed by still less control, which led in time to pitiful and incomprehensible demoralization. We are convinced to a man that alcoholics of our type are in the grip of a progressive illness. Over any considerable period, we get worse, never better.”

The end of the story does not tell us what happens next. Will Merrill get help? Will he die from dementia or alcohol poisoning?

I had a friend who died of alcohol poisoning a year ago.

Her sponsor told her that all she had to do was go to 12-step meetings, Church, work the steps, pray, stop being in self-pity, and be of service.

This confused her because after she got sober, she experienced an onset of depression and panic attacks, making it hard for her to function, let alone read a Big Book.

I suggested that she participate in a clinical, evidence-based treatment program at a residential treatment center. Microsoft office 2016 update for mac catalina. While in treatment, she could work on a 12-step program with licensed therapists and addiction counselors who could help her process the 12 steps to understand the healing message behind the old-fashioned language of the Big Book.

When she received a 30-day chip, she hugged me. Shortly after that, we met for coffee at Starbucks.

She gave me a beautiful God box to write my hopes and dreams on pieces of paper, fold them up, and place them inside. Sometimes after I wrote down my hopes, I made origami cicadas from the works of paper because when I lived in the Hollywood Hills, the singing of cicadas in the middle of the night gave me much comfort. And then I dropped the cicadas into the little God Box.

In return, I gave her a book, Stephanie S. Covington’s A Woman’s Guide to the Twelve Steps.

A few days later, at a meeting, I smelt the alcohol on her breath. After I moved to the Mojave, we lost touch.

Last year, her mother found her dead inside a cheap motel room. She had been missing for days. When her mom saw her, she was sprawled like a broken doll on the floor’s dirty carpet, with empty bottles of vodka by her side.

The motel had a swimming pool, but it was in the middle of winter, and the water was probably frozen.

During her last night on earth, I wonder if she heard cicadas. But if she did, I suspect that they were not singing. They were probably crying.

Cheever The Swimmer Pdf

'The Swimmer' is a short story by American author John Cheever, originally published in The New Yorker on July 18, 1964, and then in the 1964 short story collection The Brigadier and the Golf Widow.[1] It was later collected in The Stories of John Cheever.

In 1968, 'The Swimmer' was adapted into a film of the same name, starring Burt Lancaster.

Plot[edit]

The story begins with Neddy Merrill lounging at a friend's pool on a warm midsummer day. On a whim, Neddy decides to return home by swimming through all the pools in the neighborhood, which he names 'the Lucinda River' to honor his wife. He begins the journey enthusiastic and full of youthful energy and, in the early stops on his journey, his friends enthusiastically greet him with drinks; it is readily apparent that he is well-regarded, and has an upper or upper-middle-class social standing.

As his journey progresses, the story's tone gradually becomes darker and more surreal. Despite the ever-present afternoon light, it becomes unclear how much time has passed: at the beginning of the story it is clearly midsummer, but eventually all natural signs point to the season being autumn. Some old acquaintances Neddy encounters mention his financial problems, although he does not remember having such misfortunes. He is patently unwelcome at several houses belonging to owners of a lower social class. His earlier, youthful energy gradually declines, and it becomes increasingly painful and difficult for him to swim on. Finally, he staggers back home only to find his house decrepit, empty, and abandoned.[2]

Cheever The Swimmer Analysis

Background[edit]

Originally conceived as a novel and pared down from over 150 pages of notes, some scholars believe it is Cheever's most famous and frequently anthologized story.[3] As published, the story is highly praised for its blend of realism and surrealism, the thematic exploration of suburban America, especially the relationship between wealth and happiness, as well as his use of myth and symbolism.[3]

See also[edit]

  • 'In Care Of'
  • 'The Summer Man'
  • 'An Occurrence at Owl Creek Bridge'

References[edit]

Citations[edit]

John Cheever The Swimmer

Bibliography[edit]

  • Cheever, John (1964). The Swimmer. The New Yorker.
  • Kuiper, Kathleen (2011). 'The Swimmer: story by Cheever'. Encyclopaedia Britannica.
  • Wilson, Kathleen (1997). Short Stories for Students. Gale. pp. 278–94.

External links[edit]


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